Fortsätt till huvudinnehåll

Inlägg

Utvalda

The Great Noise, Triennalen Västernorrland, 2025

Installation views from the 18th century linen mangle house at Brynge industrial heritage area. A part of The Great Noise/ Det Stora Oväsendet, Triennalen Västernorrland 2025. In "The Absence of Memories Created a Landscape With Two Horizons", Ylva Westerlund has created a plant print from specimens collected along a bay of the Baltic Sea. The rust-red patterns, printed on an old bedsheet, trace the outlines of treetops and ground vegetation — yet the horizon line and central point of focus are absent. In the play of light and shadow, the image appears like an afterimage, as if the fabric had captured the glare of an overexposed shoreline. The empty space becomes a place for repressed memories — or perhaps an opening towards another future. The work also carries a personal memory. Westerlund recalls how her mother would embroider over stubborn stains — sometimes menstrual blood — on the family’s sheets, transforming them into autumn leaves or small figures. This gesture conne...

Senaste inläggen

Veiws from Peace with Earth, Tensta Konsthall c/o Campus Tensta, 2025

Peace with Earth, Tensta Konsthall, 2025

I am not a swamp, Solhaga retirement home, 2025

Earthshine/ Jordljus, commissioned artwork, 2025

The passed out viewer, Slipvillan- Long Island Art Center, 2025

2025- Upcoming exhibitions and works

Inseparable Distance- Swedish pavilion Gwangju biennale, 2024

Switch, Blånagla Artfest Konstfrämjandet Västernorrland, 2024